Shechter II: Brainstorming – a fun release for rave and culture | Dancing


Met may be 38 years since the second summer of love, three decades since dance music took off in the early 90s, but on the modern dance scene, rave is still at its peak. In recent years, you have not been able to move because of the dancers who keep on hitting again and again, at the meetings of the tribes and the winners.

Hofesh Shechter’s dance moves have always been a dancefloor attraction – he writes his own beat-driven songs, after all – but where early works were annoying, he now seems happy to get lost in the music. Shechter’s latest, In the Brain, is made from a piece Cave created Martha Graham Dance Company in 2022. Dances with his small company, Shechter II, a group of the best young dancers under 25, selected from around the world. They are hungry for that young power, and they lay it all down.

In the Brain isn’t quite a party, though. It has its quiet moments, its slow structure, its not-always-illuminated techniques (short dances, and slow couple dances, to name two). The feeling is underground, not least because of Tom Visser’s lighting. Visser is the king of dark light in all its vivid forms – atmospheric with minimal drama – and Shechter’s effects are equally dark and moody, rather than partying. (There are also additional tracks from German techno duo Âme.)

Famously Hofesh … Shechter II: In the Brain. Photo: Todd MacDonald

More than anything else, Mu Ubongo is typical Hofesh: shoulders hunched, arms raised to the sky, ritualistic groups moving as one – a style that inspires many others. The piece doesn’t leap into new territory, but part of the appeal of Shechter’s choreography is that you can imagine it feels good to dance to. There’s a palpable, palpable joy, whether it’s a thick, twisted rhythm or an almost haunting, exorcism-driven, physical exorcism to the bass. It’s a dance that doesn’t seem too far from a natural movement – so the viewer can feel themselves in it – except that there’s no way you can match the skills of these explosive dancers. But the power is in the cultural aspect of dance, the feeling of your partner, being connected to something bigger than yourself, surrendering to the heartbeat of the dancefloor.

Until 25 July at Queen Elizabeth Hall, London



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