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Sophie Hyde directed an ambitious but highly entertaining film, somewhere between autobiography and autofiction; it praises itself for its interest and integrity, but it lacks its power 2019 quarterlife crisis comedy Animals. When a young director takes breathtaking pictures on a disposable video camera instead of a cell phone like everyone else, frankly, it’s impossible. However there are performances by Olivia Colman and John Lithgow.
Adelaide filmmaker Hannah (Colman), from Hyde, moves to Amsterdam with her smiling husband and non-binary daughter Frances, played by Hyde’s son Aud Mason-Hyde; this is a visit to Hannah’s kind, wise and impossible life-affirming father, Jim (Lithgow), aka Jimpa. He is a man who came out as gay to his wife and daughters in the early 70s and left them to live in Amsterdam as a strict teacher and campaigner on issues such as housing and HIV.
Frances worships Jimpa as an unusual example but he is more dangerous than expected – ignoring the stupid and stupid people who prevent the freedom that his generation fought for. In fact, this salty conflict is one of the moments in which the film threatens to live, thereby ignoring Hannah’s calm belief that her film can be achieved without conflict, instead celebrating “kindness”. It is not clear how intentional this perceived insult is supposed to be. The next part of the film that focuses on Frances works a little better, but for all that, and despite the commitment of Lithgow and Colman, this is unconvincing.