If CMAT is ugly for men and Olivia Rodrigo likes them, how should women dress? | | Price CMAT

For looking for spring / summer 2026, why not try one interesting way to wear misogyny? There are button-up fake news. Pince-nez haughty dudgeon high. The splashy feather boa of anger. If you’re really brave, why not wear a nude birthday suit? There are more legitimate options than there are for what to wear as a popular female star in 2026. Among the same chaos in the most different outfits that have recently been worn by CMAT and Olivia Rodrigoit seems that there is no one way to do how a woman should appear in public. Funny, that.

Yesterday, the Irish and American singers each commented on the latest news about their performances that came from under the Internet. On Sunday, CMAT performed at BBC Radio 1’s Big Weekend in Sunderland. When the BBC posted pictures of her performance on Instagram, the comments about her body were so negative that the broadcaster turned it off; clearly, videos from the same festival with fewer women still have comments. “It’s been hard to try and explain how hard the last few days have been since the big weekend of bbcr1,” CMAT wrote, saying the comment made him “great sorrow“.

Ironically, two years ago, Price CMAT He went through exactly the same thing at the same festival. Back then she didn’t say that, and wrote: “I didn’t know that having a big ass was wrong! It also inspired one of her best songs, Take a Sexy Picture of Me, about the impossible beauty that women experience. How young do we have to look to be considered attractive or worthy of men’s love, she asked: 15? 14? Five? “Or two, like a child?” Instead of looking in the mirror, some idiots say his words promoting the sexuality of little girls instead of mocking bad behavior: “Is that CMAT song scary as hell?” a self-proclaimed “adult man” asked on Reddit.

Even rolling the eyes of men will not prevent you from being accused of complicity. In the style of Rodrigo’s new album, You Seem Pretty Sad for a Girl So in Love, the 23-year-old pop star is wearing baby dresses in honor of the female punks of the 90s – Kathleen Hanna, Courtney Love, Kat Bjelland – who transformed nightwear into a “prostitute” look, cutting them up and applying makeup to face men with a problem of what they don’t want. A concert in Barcelona where Rodrigo wore a flamboyant floral number prompted online comments to call her “pedo bait” and a “Lolita”. “That made me very angry,” Rodrigo he told the New York Times’ Popcastpublished yesterday. He showed how irrational these comments were: in the past, he did it in a bra and shorts, without complaining, “but I completely cover a garment that people consider inappropriate”.

Rodrigo went on to say: “I think it shows how we try to normalize parenting in our culture.

If CMAT seems to despise men, but Rodrigo loves them, what space is left? Even an inspiring story against the trap. As CMAT explained, many people who “want to be good” have tried to say that it is the subject of body movement, but he wrote, “I don’t choose to look like this or to have a lot of weight like some kind of punk-rock freedom. I want to be brave, I have to be here and take it.”

The idea that is often broadcast in situations like this is to never talk about women’s looks. But in pop history, the artist’s style is as deliberate and essential to all entertainment, as worthy of analysis and consideration as music. CMAT’s countrified burlesque includes Dolly Parton’s approach to femininity as drag; the vaudevillian inventiveness of the drag itself; the huns that look amazing on a high street budget, are a little Catholic to begin with. And for all that Rodrigo is known to have grown up as a Disney Channel actor, at home, his mother plays his Kids in Toyland and Hole, so he seems to be nodding to his matrilineal lineage and the rock legacy he continues. (Maybe it’s fun to play in, a far cry from the stirrups and stilettos that young teens had to wear 20 years ago.)

Although millions of fans understand this, their appreciation is drowned out. CMAT wrote that she would like to stop talking about how other people talk about her bad body, “but I can’t because it just keeps getting bigger and bigger as I become more famous… Success, she wrote, “is more stigmatized by the fact that I can enjoy it more when I’m thin”.

We are in the midst of a massive systematic erasure surrounding feminism that is also being driven by evil actors. For me, the basis of comments like these at CMAT and Rodrigo comes with bot farming, a coordinated attack that is motivated by statistics or movements that are interested in reducing the ways in which women can be in society. It’s the latest coat of misogyny: a bunch of losers piled up in gray shirts, fooling everyone.