Hockney’s Pop friends, Warhol’s American republic and Linder’s punk Blackpool – a week in art | Art and design


Show of the week

Pop Revisited
David Hockney’s iconic paintings are displayed alongside other paintings from the 1960s by Richard Hamilton, Claes Oldenburg, Jasper Johns and others.
Cristea Roberts Gallery, London, from 23 July to 20 August

Also show

Linder
From his Buzzcocks’ Orgasm Addict cover design to his latest films and textiles, the punk artist brings his vision to Blackpool.
Grundy Art Gallery, Blackpool, from July 18 to October 3

Helen Chadwick
The natural interaction between the body and nature – such as urinating in the snow – was at the heart of this artist’s powerful work and is shown here on the coast of Wales.
Oriel y Parc National Park Discovery Centre, Pembrokeshire, until 10 January 2027

Gillian Ayres
Bright and colorful paintings by this British artist who liked to splash around with colors.
Box, Plymouth, until 4 October

Andy Warhol
America is 250 years old and Warhol saw his life like no other artist.
Wolverhampton Art Gallery until 4 October

Picture of the week

Photo: Christopher Thomond/The Guardian

It seems that even street art can catch World Cup fever. A photo by Black Country photographer Dion Kitson shows home-grown English footballers Jude Bellingham and Morgan Rogers sharing a portion of orange chips – a Midlands delicacy. Kitson says he created the image to protest the “dark side of patriotism” he saw on the internet, but that it doesn’t mean “to be a political statement, just to feel good”.

What we learned

Costume designer Enid Marx’s one-woman campaign against ‘William Morris’s washed-up stuff’.

The magical works of Madelon Vriesendorp graced the skyscrapers of New York

Ana Mendieta would have been at the forefront of art in this century

The vision of the amazing artist Richard Dadd has not been blocked by his 43 years in security.

The Bayeux Art Gallery made its ancient journey from France to England in the dead of night

Del LaGrace Volcano photographed S&M, women in leather and a drag queen

Highlights of the Arles 2026 photography festival include dogs, food, UFOs and more

Debjani Banerjee combines British colonies with old Bengal

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Fascinating posters mark 40 years of exhibitions by Aboriginal artists

US artist MPA wants to revive Yoko Ono’s Cut Piece, with the audience removing her clothes.

Renzo Piano’s glass cube is the only contender for the Stirling prize

Mine of the week

Rome: The Interior of St Peter’s by Giovanni Paolo Panini, before 1742

Photo: © The National Gallery, London

By the 1800s the days when Italy led Europe in the arts and sciences were gone, and artists like Giovanni Paolo Panini found their best market by selling ideas to aristocratic tourists. Panini painted St Peter’s alone 30 times. But who wouldn’t want to take home such a souvenir? He uses a sharp technique to lead the way through this beautiful building, using a crowd of colorful visitors to convey its grandeur. They are small among the great monuments because they admire the high-quality architecture of the Renaissance. In the early 1500s, the ambitious Pope Julius II decided to demolish the old tomb of St Peter and build a new church in its place. Although he was already an old man he brought new energy and determination to this great production, and his high feeling is imprinted on it forever. Panini captures this phenomenon in a painting whose precision conveys the sacred awe of Michelangelo.

National Gallery. London

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