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HIt’s a fast-paced, but repetitive fan-friendly video, also using images of “bad behavior” incessantly, referring to the Manchester United power king (formerly the Leeds United power king).
Eric Cantona was the Frenchman who won the hearts of English football fans in the 90’s with his incredible talent, filling the silverware cupboard to bursting when he was snapped up cheaply by Man U after a successful exit from French football. He was instructed in those days by the kind bear of a father, Sir Alex Ferguson, who is often questioned here, together with David Beckham, the elderly parents of Eric Albert and Éléonore, and of course the shiny man, who appears in the church that seems to be abandoned and mentions Baudelaire with pride.
It’s a movie that, like its hero, is disgusted by the wolves of the media and has no intention of repeating profanity and insults about his private life. As for the main controversy of his career, when in 1995 he introduced karate abuse to a fan of Crystal Palace, and later in a press conference he mentioned a small poem about the fish that follow the trawler, the film did not mention what is really a definitive comment on this from the comedian Nick Hancock, who once thought about TV. scary, I thought it was bad, I thought it was sad but most of all I thought it was very funny.”
So is Cantona. There’s an interesting clip that shows Des Lynam interviewing Cantona after the fight, hoping for a story of redemption and honestly asking Cantona if the “event” has changed him. “No,” replied Cantona, looking up at the ceiling. Cantona left the game when his 20s ended, he chose to work in movies, and we got a glimpse of his time opposite Cate Blanchett playing the French ambassador in Elizabeth and his (much loved) appearance as him in the Ken Loach drama Looking for Eric. Sadly, we don’t get to see his amazing performance as a privileged priapic vampire in a cult horror film. You and the Night. These days he seems to be doing a lot of creating large scale paintings for his buildings.
The film jumps back and forth a little, sometimes for no apparent reason, but it is one of the first things that the film makes an interesting idea: that Cantona’s anger, and his great connection with the appearance of the fans, may have been inspired by the angry Bernard Tapie, a businessman whose club, Marseille used to play. One for the fans… but some nostalgic fun here.
