Black motorcycle clubs come alive in summer: ‘The best way to build a community is on two wheels’ | Black US culture


TThe trip was supposed to be Memorial Day weekend getaway girls in Myrtle Beach, South Carolina, for Patrice “Foxy” Johnson. But when Johnson and his crew arrived, they unknowingly found themselves in the middle of the annual bike week where several thousand riders had gathered. Johnson looked at the “backpackers”, or women who rode on the backs of men’s motorcycles, and realized that she wanted to be part of the community, too. She did not want to accompany the male passengers, however. He wanted to ride alone.

At that time about 30 years ago, Johnson decided that one time he would go to a bike week and bring his own wheels. After returning home to Raleigh, North Carolina, he enrolled in a beginner’s bike class at Johnston Community College to learn more about motorcycles. Since then, he has become so important in the black motorcycle community across the country that he holds several leadership positions in all organizations.

A female cyclist at the Imperial Bike Club’s Annual Bicycle Blessing in Bedford-Stuyvesant, Brooklyn, on July 19, 2026.

Almost every weekend, especially during the summer, a Black motorcycle club in a US city holds their annual ride, picnic or other party with food and music. A place for cyclists to gather among like-minded locals, some cycling clubs date back to the 1940s, after the Second World War. Today’s marches are part of a movement for freedom of movement that began in response to exclusion from white motorcycle clubs and job discrimination due to Jim Crow.

History on wheels

One of the groups that Johnson sells his time to is the Black Girls Ride (BGR), which has supported women in motorsports since it began in 2011. The group holds meetings several times a year in cities such as Houston, Daytona Beach and Los Angeles, publishes a digital magazine and podcast, sells its equipment, and has an annual tradition, participating in the July festival every year in Essepance Black Black music. Orleans. About 250 to 300 BGR members regularly travel to Louisiana. “The police have cleared the road for us to go down Bourbon Street with the second group,” Johnson, the Carolinas ambassador to BGR, which has five ambassadors and a riding leader, said. “We’re chanting: ‘Black girls! We’re dancing in the street.'” Once, as part of their development goals, BGR “adopted” the Boys and Girls Club of New Orleans and raised over $30,000. Such traditions among Black motor sports enthusiasts contribute to entertainment and community building.

Cyclists play cards at the Imperial Bike Club’s Annual Bike Blessing in Bedford-Stuyvesant, Brooklyn, on July 19, 2026.

Part of the building is providing education for black people. The Buffalo Soldiers Motorcycle Club, one of the largest motorcycle clubs in the country with about 5,000 members, for example has the name of the Black-Black soldiers in the ninth and 10th divisions of the US cavalry established by Congress in 1866. One of the members of the club, the veteran air force Randy Hayward, also known as, memorial detrocall a. Washington DC to Detroit: “We went through the states and everyone had a flag…

Each year, the Buffalo Soldiers Motorcycle Association holds a July convention in select cities such as Tampa, Florida; Concord, North Carolina; and Mobile, Alabama, where safety training, climbing, cooking and outreach are part of the regular programs. “The best way to communicate is on two wheels,” Hayward said, before mentioning some of the history-driven tours his organization has taken to famous places such as Black Wall Street and Wilberforce, Ohio, the home of Col. Charles Young, the first American American soldier.

Members of the Steel Horses bike club and Brown Sugar and friends of the Unapologetic Kweenz at the Imperial Bike Club Annual Bike Blessing in -Bedford-Stuyvesant, Brooklyn on July 19, 2026.
Steel Horses and Brown Sugar bike club members and friends of the Unapologetic Kweenz at the Imperial Bike Club’s Annual Bike Blessing in Bedford-Stuyvesant, Brooklyn on July 19, 2026.

Black motorcycle culture is closely related to the Black military. When black soldiers returned home from World War II in the 1940s. many were still looking for an area with interesting ideas. Tuskegee Airmen could not find work as pilots because of persistent discriminationand motorcycles gave them the opportunity to experience the same joy – if they could get their hands on a bike. During the war, Military motorcycles were essential for scouting enemy positions and delivering weapons, messages and orders. After the war, soldiers turned to Jeeps and armored vehicles and thus military motorcycles flooded the market. Unfortunately, even though these bikes are plentiful and affordable, many dealers would not sell motorcycles to black people.

A former United States Marine decided to make his own motorcycles. Cliff Vaughs from Los Angeles, California, started riding motorcycles as a means of organizing through his work with the Student Nonviolent Coordinating Committee (SNCC) between 1963 and 1964. While visiting Black sharecroppers in Alabama, Vaughs told author Paul d’Orléans for his book The Chopper: The Real Story: “I wanted to be a free man on a motorcycle.”

Cash, a young cyclist, at the Imperial Bike Club’s Annual Bike Blessing in Bedford-Stuyvesant, Brooklyn, on July 19, 2026.

By the late 1960s, motorcycle clubs such as the State Burners of Atlantic City, the East Bay Dragons of Oakland, the Chosen Few of Los Angeles and the Iron Horse Motorcycle Club of Miami, were thriving. The Miami-based organization was founded by Bessie Stringfield, also known as the “Miami Motorcycle Queen”, who served in World War II as the only woman in her group of private motorcycle couriers. She was also the first African American woman to climb across the US solo. In his rise, Stringfield relied on The Negro Motorist Green Book, a travel and survival guide for black drivers, to keep them safe on all their journeys.

‘An investment in experiences and freedom’

Today, owning a bicycle is the starting point for entry into the organization. “Every club has its own rules,” said Anthony “Zeke” Settle, president of the Los Angeles-based Black Stallions Motorcycle Club. For the Settle organization, members must be 21 years old, have a motorcycle larger than 600 cubic centimeters – which means a medium-sized engine with high speed – complete a three-month trial period related to legal riding, cross four lines and go to events where prospective members can get to know government members.

Membership also comes at a premium. Settle explained: “A bike, let’s say 600 bikes – that’s less than ($10,000).

Female and male cyclists at the Imperial Bike Club’s Annual Bicycle Blessing in Bedford-Stuyvesant, Brooklyn, on July 19, 2026.
Female and male cyclists at the Imperial Bike Club’s Annual Bicycle Blessing in Bedford-Stuyvesant, Brooklyn, on July 19, 2026.

Alvin C Jacobs Jr, artist, climber and author of Chrome, a coffee table book which reflects the culture of black motorcycles, he spent more than $50,000 on his latest bike. He admits that the costs associated with it have made it difficult to recruit young riders: “It’s an expensive job and almost a thousand years old,” Jacobs said.

Cycling runs through the Jacobs family. Alvin C Jacobs Jr’s father, Alvin Jacobs Sr, founded The Brothers Club in Rockford, Illinois, in 1976, where Alvin Jr grew up, “near Kegels Harley-Davidson (store)”, he said. And Alvin Jr’s son, Hassan Jacobs, is a millennial rider who served in the military for eight years. He is not part of a motorcycle club so he is not under the responsibility of the organization’s money, but he is proud to be a young rider: “I feel like I’m on the road, especially on the bike, I can move freely at a speed that doesn’t force me,” said Hassan. “When I walk, run and even drive, I feel as if I am held back by the limits of my body.

There are some club-affiliated millennials, however, who face financial hardship. Shanika “Tru” Beatty, founder and president of Caramel Curves, an all-Black women’s motorcycle group, says: “Some of our members donate their bikes, some buy used and some keep until they’re ready.” One thing that makes Caramel Curves unique is the support. It’s not just a waste of money for us, it’s a waste of experiences, friendships, personal growth and freedom.

Dutch with Flaming Knight Members in Bedford-Stuyvesant, Brooklyn, on July 19, 2026.

Since its founding in 2005, Caramel Curves has grown to 31 members in two chapters in New Orleans and Atlanta. During the summer, its busiest season, Caramel Curves organizes group rides, attends other bike events, and participates in sessions where members get to know each other on their bikes. “We organize group rides, we go to bike events and create places for our members to connect with bikes,” Beatty said. “It’s also a time when we welcome new riders who are just starting out and want to be a part of everything that’s supportive and empowering.”

The support group is what inspired Phillip “Dutch” Boyd to join the motorcycle club, after realizing that he likes to ride during the epidemic: “My friends rode during the day and could fall! The first day Boyd learned to ride a bike from his brother-in-law changed his life. After riding alone for a year, he had the opportunity to chase, or wait, for The Flaming Knights, a Black motorcycle club founded in 1968. He received his patches, which it defines the union of groups, and he became a member.

A few weeks ago, the Flaming Knights participated in the annual bike week in Crown Heights, Brooklyn, a gathering of bikers from all over the country. About 200 cyclists turned up, mingling with others and buying from street vendors. R&B and rap music blared from nearby speakers, and a few kids played on their little bikes while the adults relaxed with coolers or went around the corner to the home of Imperial Bikers, the motorcycle club that hosted the event.

Regardless of how black bikers discovered their love for the sport, riding a bike is not just fun and a lot of life. “One of the biggest misconceptions is that Black motorcycle culture is all about clubs, leather and tough looks,” said Beatty of Caramel Curves. “Really, it’s about community, family, freedom and revenge.”



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