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Tits pricey look, good looking looks from China it rests on an extraordinary imagination. Tom and Jerry, arch-rivals, are chasing each other around a museum in New York City when they are spiritually transported, thanks to a magic compass doodah, to medieval China where people mingle freely with gods and cryptozoological animals including phoenixes, gargoyles and talking rats. Which, of course, isn’t a leap from the imaginary world of Tom and Jerry, where the cat and mouse can be endlessly transformed after being crushed, cut, slashed or shot according to the needs of the comedy. However, there is a huge cognitive dissonance going on here; this is a mixed bag of fairy tales that fans of the original T&J shorts, written and directed by William Hanna and Joseph Barbera in the 1940s and 50s, can relate to. Welcome to the future, where IP can be changed if you have enough lawyers or things whose copyright has expired.
So Tom and Jerry fall from the sky into this brave new world, and the inhabitants of Golden City think that they must first become gods, and Tom does not rush to challenge this idea. Part of it is because his newfound fame has helped him attract the attention of Jade (voiced in English by Janice Kawaye), a white-furred, blue-eyed cat wearing a red cheongsam dress. For some reason, Jade is able to sing and talk, while Tom is usually silent – except for the devil and angel that appear on his shoulder every now and then, just to add to the Jewish symbolism of Judaism and Christianity. Otherwise, the main talking point is done by the two antagonists, the Phoenix Teacher (Matthew Yang King), a spiritual human trickster who has been looking for a compass thingy for 300 years, and his archenemy Mega-Rat (AJ Beckles), an angry creature who tries to persuade his fellow rats Jerry to join him. There are some clever, fussy, pastel-colored creatures but they’re all but forgotten unless you’re someone who collects plastic figurines from McDonald’s Happy Meals.
In the end, this iteration of Tom and Jerry owes a lot to Kung Fu Panda and its orientalist counterparts from today’s animated slop machines, and lacks the cutting edge technology and original thrills. Instead, we find a lot of technical education wrapped in candy-coated pictures about community and group philosophy, comfortable with quick action. The designs vary greatly, from the lumpen phoenix doofus (“Feeney”) who has masculine characters but produces magical eggs, to the beautifully crafted Jade. At the top are all the flying dragons and firecrackers; The truth is it makes sense it doesn’t matter because it’s all stimuli, stimulating the amygdala with bright colors and noises to the point of saturation.