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The TV supports 100 percent of the BT.2020 color gamut, DCI-P3and Adobe RGB. Very few channels meet BT.2020, but I tried a few that do, such as Guardians of the Galaxy Vol. 2 and Inside Outall on Disney+. Everyone looked amazingly beautiful.
Photo: John Brandon
As the first test of the new RGB technology, I went through it Spears & Munsil Benchmark tests. The skin tone looks amazing, easily beating the Hisense UR9, Sony Bravia 7 II, and TCL RM9L in terms of tonal diversity. Lighter skin didn’t look washed out, and there was good color contrast.
The wall-mounted display had a green grass background, something that is often not seen with older LED or QLED TVs. The yellow rose looked better to me about the best television I’ve tried recently. Sunlights appear vivid, a clear testament to the long-lasting performance of Micro RGB technology. However, the OLED still has the power to excel, with the best looking black trees in front of a black mountain.
With this TV, picture quality affects what you see in terms of contrast and brightness. The cinematography system was accurate, but the Vivid and CinemaHome settings worked well to produce dark browns, purples, and other darker colors. It was only in those ways that the white mist on the snowy mountain could be seen so clearly.
To try the movies to compare, I watched Wake up on Netflix and The Creator on the Fandango at Home app, because each has a dark mode that turns the LED displays into a glow. Interestingly, in Vivid mode on this LG, the bike display Wake up it looks better than anything I’ve seen on an OLED TV in a wide range, maybe even more so. The LG has a wide range of temperature, tilt, and white settings, so I was able to narrow down the range. In The Creatorthe dawn reflection was clear blue and transparent on the shore. Tron: Ares on Disney + beat the Hisense UR9 in terms of black and red, but in a better image.