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A A friend’s husband recently went to the Lily Allen show, and shakily explained the experience to me. He said: “I felt like a wolf at a meeting of armed chickens. The large female crowd was experiencing a powerful catharsis, united in their anger at men and the joy of bangers. I told him that chickens can’t carry guns, but I don’t think he heard me. He had tinnitus from screaming.
There’s not a lot of screaming in Furious, the new detective series for Disney + (starting Monday, July 27). Also missing from the murder scenes: mutilated female bodies, the lack of women’s agency in general. Furious is the cat-and-mouse story between FBI agent Alice Black (Emmy Rossum) and Catherine (Lola Petticrew), a killer who strikes down male victims with unspeakable sadness. Catherine may be the youngest killer name imaginable, but it’s just one way the show rewrites the rulebook. I’d say it’s the most feminist show I’ve ever seen – except that it might make some people write.
The show’s character continues to have female leads. You can see it in the way Black and his FBI consultant prostitute Nora, played by Quincy Tyler Bernstine, are interviewed. Information and tell them that they recognize, their knowledge of the system that fails women. Featuring Epstein’s most famous moments, the show is interested in how wealthy men buy legal protection. A case of human trafficking is difficult to make, says Nora, because of the vulnerability of female witnesses. If you accept money for sex, you are a criminal.
Injustice is not limited to social class. Black is forced to work on the case alongside his former brutal partner from the NYPD. He never complained to him, when he decided to leave his police service. He is played so brilliantly by Jake Lacy, an actor I admire. There is something about her beautiful, beautiful face, immediately hated in The White Lotus, that resonates with the commoner. Something that screams “bro” louder than a rowing club reunion. Something that makes you think: “I want someone to beat you.” It won’t be easy.
This is not a punchline, however. It’s very difficult, very exhausting. There is a sister, but it is difficult. Black and Catherine share a painful past; he is the only one of them who skillfully manipulates women and men to use the kill list. Black chooses to swallow his PTSD, to worry about himself. Nora is haunted by years of working in the dark. As part of his job, he has to look at images of child abuse, which he does in a locked room he likens to the entrance to Hades. “Why do you want to work in the basement of sex crimes, and violence against children? Do you hate yourself?” asks Black at their first meeting.
In half of the series I’ve seen, there are two men who aren’t very good at it, and often force cheaters. People can complain about this. But it seems good enough, considering TV’s history of representing women. And you can’t resist dad’s omelette without breaking a leg. I mean eggs. There is no vegetarian wolf.
One of the good few is Black’s old friend Danny, played by Scoot McNairy. (He’s a co-worker, not a violent best friend. The NYPD now uses the good cop, bad cop, bad cop, bad cop formula.) Danny believed Black’s story of domestic violence and spoke out. His relationship has made him lose the support of his male friends. However, in a tragic scene, we learn that Black has also stopped talking to Danny; she reminds him of his past, his need to be saved. This is a rare crime show that is as interested in the psychology of victimhood as murder, and appreciates contrast and difficulty over catharsis.
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Furious confesses his attraction to the damaged Catherine, whom Nora calls “our avenging angel, our evil Fury, our murderer”, as he enacts the justice that will never come. Is it Catherine’s anger that the show’s title points to? Nora herself, or Black? The childish anger of his weak men? At least, it speaks to its female audience. For fans of Killing Eve, The Promising Girl and Lily Allenit’s worth seeing. I’m not sure if men can watch it. Even the good ones, who know they should.