Atlantis Review – Welsh weather drama and modern day allegory | Theater


Men 2014, residents of Fairborne in Gwynedd he found that the local council thought that keeping the sea safe was a good idea. Instead, as part of the “homecoming”, the small Welsh seaside village was abandoned to the sea by 2055.

The timeline has changed and been disputed, but although the city is not known by name, it serves as the inspiration for Emily White’s Atlantis. Focusing on fisherman Bryn and his wife Gwen (Richard Elfin and Vivien Parry), it takes place from 2011 to 2039, dramatizing what has happened in the past and imagining what will happen when all the seasons and regions are destroyed.

This is very difficult and very important, and there is a clear voice in the play as time goes on, from everyday to birth to geological. But the beating of the domestic drama in which this tragedy is often adapted is produced. The main tension is handled by simple exchanges, and the explanation is increased.

It points to deeper, more persuasive issues such as environmental awareness and the demands and commitment (and opportunity) of protest. But despite its growing timeline, the story is deeply intertwined in its two acts, and the rich potential of these themes feels under-explored in the way surprising details are told.

Volunteers … Eirlys Lovell-Jones as Rhiannon and Vivien Parry Gwen, and Llewelyn. Photo: Marc Brenner

Volunteers are good at filling in the gaps. Parry’s matriarchal Gwen is a very sensitive portrayal of Elfyn’s curmudgeonly, suspicious tendencies. Catrin Aaron as their daughter Claire, and Alfie Llewellyn and the highly effective Eirlys Lovell-Jones as nieces Phillip and Rhiannon have convincing if sometimes dysfunctional views in the family, which Sara Otung as Phillip’s friend Astrid reinforces with respect.

Directed by Guy Jones, the production has a script that is suspect of being literary but not enough of a metaphor to be universal. Therefore, through his loves is grandfathers is hug each others, one sees that Wales is considered an eternal land of myths and legends, instead of a modern country that – like any other country with a coast – will have to make decisions about what to do with the fall of the climate falling on the coast.



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