Fieldwork as a Sexual Object by Meena Kandasamy review – deep fake tape story | Fiction


WEveryone can agree that the internet today, especially the platforms of two of the world’s most famous artists, is pretty cool. But if you think that X and Facebook are purgatorios of friendless trolls who constantly send hate and torture women, each other and a few people in secret, wait until you hear India’s version of the netherworld, as written by poet and poet Meena Kandasamy. Take the worst algorithms in the world, add a billion and a half people, mix in a remote government with advanced Internet technology and bring in the “flame politics of Indian politics” that includes tribal people and tears and ethnic and religious conflicts, and the western version of X starts to look like a children’s playground.

This is the world in which Amy Chaturvedi, a posh anti-communist student living in London, wakes up one day when the Internet is lit up with a deep-seated sex tape. It’s his face, but it’s not him. Don’t get her wrong, Amy doesn’t like sex and she tries it proudly; he has done many illegal things, he didn’t do that one video. But try telling that to the Indian manosphere or, actually, Amy’s mother. “The perpetrators of the terrorist attacks are a diverse group of Nazi-loving, Islamophobic extremists with images that are either Joker or V for Vendetta,” Kandasamy wrote. “If these trolls are to be believed, I am a leading member of a group of tukde-tukde students who want to go to India. I am on paid work in Pakistan. I am paid by George Soros.” He nails the weaselly nature of Indian internet trolls, revealing all their shameful secrets – their failures with women, their desire to be followed by Prime Minister Modi (it’s a real thing, look it up), their fear of Muslims, and their anger. Kandasamy’s sarcastic laugh provides a much-needed relief from the internet angst and I found myself laughing many times at his outrageous scenes.

The author, whose powerful novel about an abusive relationship is a charismatic, I will beat youshe was elected to the Women’s Chair, and is an expert in bridging the gap between fiction and real life. In Amy Chaturvedi, she uses one woman’s story to explain the ways in which women are hunted and attacked online. Cruel, cruel and merciless, with her own privilege and naivety, Amy can be the internet’s worst victim. They focus on her looks, her class and the power of vibration by embracing her sexually. He also uses the time he’s breaking the digital world to question whether he’s dating his best friend, alienating her even more than he did before. She sleeps with the boyfriend of a white acquaintance who sympathizes with her and shelters her (angry, the friend throws his #REFUGEESWELCOME sign at Amy). She is beautiful and desirable. And the Internet takes revenge, a deliberate pleasure in humiliating and humiliating him.

Kandasamy is one of India’s most exciting writers because he doesn’t pull punches – on the contrary, he packs them. Amy asked knowing exactly what the answer was. You can call him an incel. But they need to be clean so that they can get sick in a clean and tidy way. While the image of the Indian media has taken a back seat in the face of the Hindu party, Kandasamy is one of the few who have been consistently shut down. The book could have done with less Marxist praxis schmraxis – I’m not sure deepfakes need dialectic – and there was more internet language, which we’re probably already satisfied with, iykyk, imo. Otherwise, the personal and the political are mixed in all their twisted forms, and I know I’m among the many fans who can’t wait to see what Kandasamy does next.

Fieldwork As a Sex Object by Meena Kandasamy is published by Brazen (£16.99). To support the Guardian, order your book from guardianbookshop.com. Shipping fees may apply.



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